Screening With Pennybridge Poetry

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On June 15th we arranged a screening on Järntorget in Örebro, on the invitation of OpenART and in collaboration with Pennybridge Poetry. We screened a program of four films, with poetry readings inbetween each film.

Videos included in the screening: Procrastination by Björn Perborg; The Big Store by Lars Arrhenius and Johannes Müntzing; Grosse Fatigue by Camille Henrot; Where The Border Runs by Knutte Wester.

Big, big thank you’s go out to: all the people at OpenART that we met and/or communicated with; all the poets, filmmakers and other participants from Pennybridge; Knutte, Lasse, Johannes, Björn, and Camille for the videos; all the engaged audience members and all the randos passing by!

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Pennybridge Poetry is a youth organization dedicated to the writing and performance of poetry, sometimes working in cooperation with campaigns such as Raise Your Voice. After this first date which we arranged together, Pennybridge Poetry will take over the cinema equipment and run their own screenings in Örebro for the rest of the season. Their next date will be on June 24.

Check out XOLA for previous collaborations somewhat along these lines.

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Films Of 2019 (V): The Woolworths Choir Of 1979, By Elizabeth Price

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Still from The Woolworths Choir Of 1979 by Elizabeth Price (c)

My work is about people and histories, but not individuals – it’s about people as collective forces or voices and how we emerge as such through material culture.’ – Quote by Elizabeth Price from HERE, a Baltic Centre of Contemporary Art exhibition guide 2012).

 

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Still from The Woolworths Choir Of 1979 by Elizabeth Price (c)

The Woolworths Choir Of 1979 by Elizabeth Price is an associative exploration of the stories of a fire in the department store Woolworths in Manchester, in which ten people died. The video is set up as a stream of visuals and ideas, flowing through three parts which in turn (1) sets up the stage or the auditorium for a drama, then (2) introduces a choir to narrate the drama, and finally (3) presents the tragic event which the drama is based on.

 

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Still from The Woolworths Choir Of 1979 by Elizabeth Price (c)

Elizabeth Price won the Turner Prize in 2012. Quoting the website of the Tate Museum: “The three sections are linked by recurring images of hand gestures. It begins with a photographic montage of ecclesiastical architecture and digitally animated plans describing an archetypal choir area in a church. Arcane words and definitions, particular to the institution and extracted from essays on churches, narrate the images like a PowerPoint lecture. This bulleted and didactic tone is punctuated by loud rhythmic claps, finger clicks and sung chords. An animated posture and twist of a wrist of a church floor effigy takes the film into the second part which expands on the meaning of a choir as a group of multiple voices. Internet clips of female pop performances, including 1960s American group Shangri-Las and their song Out in the Streets, focus on gestural arm movements and synchronised dances of singers and backing vocalists, layering and assembling them into a unified cacophonic dance and chorus prophetically insisting ‘WE KNOW’. In the final episode the sinuous gestures of the dancers cut to flames, billows of smoke and images of a trapped woman waving for help through a barred window. A range of footage drawn from public archives of the devastating fire that killed ten people at the Woolworths department store in Manchester in 1979 fluctuates between eye witness and survivor accounts, news reports (the first narratives of the event) and material relating to the public inquest that effected change in fire laws in Britain, interjected with text from the chorus. A reconstruction plan of the source of the fire – a storeroom stacked with flammable soft furnishings – brings the work full circle by recalling the rectangular enclosure of the church choir lined with pews.”

 

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Still from The Woolworths Choir Of 1979 by Elizabeth Price (c)

 

Films Of 2019 (IV): Grosse Fatigue, By Camille Henrot

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Still fom Grosse Fatigue, by Camille Henrot

Quoting from the Guggenheim website:

“Over the course of thirteen minutes, the video tells the story of the creation of the universe through a cascade of images that pop up, collide, and implode across a computer screen. Set to a soundtrack of a rapid-fire spoken-word poem, written in collaboration with poet Jacob Bromberg, the narrative blends scientific histories with creation stories from a variety of major religions (Buddhism, Christianity, Hinduism, Islam, Judaism), faiths (Freemasonry, Kabbalah), and indigenous traditions (Dogon, Inuit, Navajo). Highly subjective and intuitive, the work relates the vastness of the universe to the expansive arena of the Internet and points to the impossibility of a unifying system of knowledge.”

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Still fom Grosse Fatigue, by Camille Henrot

Quoting from the König Galerie website and Lousie Simard:

“This video installation unfolds to the rhythm of fluid superimpositions, juxtapositions and associations of images and words in a series of pop-ups and open windows on a screen. The thirteen-minute piece is accompanied by a narration written in collaboration with the poet Jacob Bromberg and spoken by Akwetey Orraca-Tetteh. Like all of Henrot’s works—films, drawings, sculptures, collections of images and objects—Grosse Fatigue speaks of her interest in anthropology, philosophy, literature, music and metonymical relationships. Henrot produced Grosse Fatigue during a residency at the Smithsonian Institution in Washington.”

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Still fom Grosse Fatigue, by Camille Henrot

All images are © 2019 ADAGP Camille Henrot. Courtesy the artist, Silex Films, and Kamel Mennour, Paris.

 

 

Films Of 2019 (III): The Big Store, By Lars Arrhenius And Johannes Müntzing

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Videostill from The Big Store, by Lars Arrhenius and Johannes Müntzing

The Big Store is an animated film which takes place at the department store NK in Stockholm, during the minutes surrounding the murder of the Foreign Minister Anna Lindh in 2003.

The murder was filmed by surveillance cameras, but in the animation produced by Lars Arrhenius and Johannes Müntzing, shoppers and flaneurs in the department store appear as skeletons on an X-ray screen, and no consumer objects are visible.

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Videostill from The Big Store, by Lars Arrhenius and Johannes Müntzing

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Poster for The Big Store, by Lars Arrhenius and Johannes Müntzing